Artist: Mazzy Star
Song: California
Album: Seasons of Your Day
Label/Year: Rhymes of an Hour, 2013
Che gusto ha/What does it taste like:
nuovo e di diverso. Il godimento, e tutto sommato la sorpresa, sono state proprio quelle di ritrovarsi avvolti nelle stesse atmosfere rarefatte, nelle languidità della voce di Hope Sandoval ed in quei brividi dall'oppiaceo sapore che allora ce ne fecero innamorare e che oggi ci appaiono invariate. "In the Kingdom", brano che apre questo "Seasons of Your Day" è una ballad morbida ed ovattata che sembra uscire da "So Tonight That I Might See" (1993). Poi arriva "California", e siamo ufficialmente nei meandri oscuri e mentali dei Mazzy Star più intimisti. "I've Gotta Stop" e "Common Burn" hanno un incedere dolceamaro; E' musica che sembra emanata dalla danza lenta ed impercepibile del fuoco di una candela. La title track, "Seasons of Your Day" è della stessa vibrante ed ipnotica delicatezza che ci accompagnerà attraverso l'ascolto dell'intero album. "Sparrow" e la splendida "Flying Low", che chiude questo lavoro, rappresentano forse le vette più sublimi di questa estetica. Una miscela unica di folk e rock atmosferico che all'epoca seppe abbracciare tanto gli amanti della nascente scena shoegaze quanto chi si perderà nelle "nuove" sonorità trip-hop. Pur essendo qualcosa di ancora differente ed incentrato, prevalentemente, su un approccio acustico e, in qualche modo, più legato alla tradizione psych-folk americana. Sarebbe sbagliato attribuire a questo lavoro solo meriti legati alla sua capacità di risvegliare antiche nostalgie, perchè "Seasons of Your Day" è un lavoro di grandissima intensità, prodotto superbamente e con una Hope Sandoval che si insinua come un sogno nei più intimi pertugi delle orchestrazioni chitarristiche del compagno di viaggio di sempre, David Roback.
(ENG) The release of "Seasons of Your Day ", for many of us, has a value that transcends the more-inherently musical characteristics of this work. And not just because it 's been seventeen years since that third, and for long time last "Among My Swan", but also because Mazzy Star brought us back to an era and to environments that, accompliced by time and memory (even that of our computers), seemed to have faded into us. Yet, we find that such atmospheres (and the sensations they provoke us) are still there, intact and beautifully ethereal as we had left them. And it is a great pleasure to find ourselves in front of an album that's so loyal to them. Because, in this case, it was not so important to listen to something new and different. The enjoyment , and all in all the surprise, was to find ourselves envelopped into those same rarefied atmospheres, into Hope Sandoval's peculiar voice languidity and in those opium-flavored chills that made us fall in love for this project then and that appear unchanged today. "In the Kingdom", the opening track, is a soft and hushed ballad that seems to come directly from "So Tonight That I Might See" (1993). Then comes "California", and we are officially in the obscure and mental mazes of Mazzy Star's most intimate moods. "I've Gotta Stop" and "Common Burn" have a bittersweet pace. It's music that appear to be issued by the slow and imperceptible dance of a candle flame. The title track, "Seasons of Your Day ", has the same vibrant and hypnotic delicacy that will accompany us through the listening of this whole album. "Sparrow" and the splendid "Flying Low", which closes this work, are perhaps the most sublime peaks of this aesthetic. A unique blend of folk and atmospheric rock which, back then, had been capable of embracing both lovers of the nascent shoegaze scene and those who were getting ready to get lost in the new trip-hop sounds. Although Mazzy Star still represented something different, which primarily focused on an acoustic approach to sound that semmed to be more bounded to the American psych -folk tradition. It would be wrong to attribute this work merits that only relate to its ability to awaken within us such ancient nostalgia, because "Seasons of Your Day" is a work of great intensity, with superb production work and with Hope Sandoval's unique voice creeping like a dream into the most intimate crevices of David Roback's guitar "orchestrations".
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